Sunday, August 22, 2010
10 Favorite Movies: 1980 to 1989
Stock footage, civil defense films, and era-specific music combine in this Cold War documentary. The filmakers get their message across without any modern narration or footage. Their point is that the nuclear standoff between the super powers was an act of insanity and that the preparations made by the civilian population (e.g., backyard bomb shelters, "duck and cover" drills) were absurd and self-delusional.
The simulated nuclear attack at the end makes for a great climax. And the notion purveyed by one civil defense film that one can simply 'clean up the broken glass' and 'wait for instructions from the authorities' after the nearby detonation of an atomic bomb (while completely ignoring the inevitable radioactive fallout) is hilarious.
The sequel to 1984's Ghostbusters is not quite as popular as the original, but I've always liked it more. Peter, Egon, Ray, and Winston take on the vengeful spirit of the evil Carpathian Vigo, who's trapped in a painting at the art museum where Dana Barrett is employed. Once again supernatural forces are picking on Dana, although this time Vigo wants to reincarnate himself through Dana's son.
Since Vigo is linked with a pink ectopasmic slime that reacts to human emotions, the Ghostbusters weaken Vigo by invoking positive emotions in their fellow New Yorkers. This is done by hosing the interior of the Statue of Liberty with positively-charged slime and parading her through the streets of Manhattan.
Once again Indiana Jones is in a race against the Nazis in the search for a legendary artifact; i.e, the Holy Grail. It seems that the Grail can grant eternal life; a power that Hitler wants for himself. This time Indy's estranged father, Henry, an expert in the Grail legend, is along for the ride.
Indy and Henry fight Nazi thugs inside and on top of a tank rolling inexorably towards the edge of a canyon. The scene is reminiscent of the truck chase in the first Indiana Jones movie.
When an experiment in miniaturization is interrupted by an armed attack from overly-aggressive competitors, a minaturized submarine and its pilot end up unexpectedly injected into a hypochondriac. After the pilot establishes contact with his unwitting host, the two must work together to get the submarine out of the host's body and returned to its proper size before the ship's oxygen supply runs out. However, they must do this while avoiding those who want the miniaturization technology for nefarious purposes.
The pilot, unaware of the attack and believing he's been injected into a rabbit, starts attaching devices to allow himself to hear through the host's ears and see through his eyes. At best these devices are annoying and at worst they're extremely painful. After suffering through this process, the pilot then starts talking to the host through the devices. The host (played by Martin Short) thinks he's been possessed.
The only thing standing between Dracula and world-domination is an amulet of concentrated good. However, the amulet can be destroyed during a limited period of time that occurs every hundred years. In preparation, Dracula gathers his allies (which all seem to come from classic horror films made by Universal): his brides, a werewolf, a mummy, a gill-man, and Frankenstein's monster. The forces of good, on the other hand, are represented by a small group of pre-teen monster movie fans. The odds shift slightly towards their favor when Frankenstein's monster, who was never really evil in the first place, changes his allegience.
With their knowledge of the monsters' various weakness, and Frankenstein's creation on their side, the kids must delay Dracula and his minions while trying to use the amulet to trap Dracula in Limbo. I'm particularly fond of the extraordinary gill-man costume and wish that it had gotten more screen time.
I didn't see this movie until more than 25 years after it was released. This is a good thing, since I wouldn't have slept for days had I seen this when I was young. The haunting of the house starts with small, almost entertaining manifestations, many of which focus around a young girl. These gradually worsen until the girl is trapped in an otherworldly dimension by a demon known simply as "the Beast". Of course, this situation is unacceptable to Mom and Dad, who are willing to do anything to save their daughter.
There are two scenes that stick out in my mind. One is the erruption of coffins filled with rotting corpses during the Beast's final show of power. The other involves a possesed clown doll. The clown scene is definitely the scarier of the two.
This just might be my favorite move of all time. Archaeology professor and adventurer Indiana Jones races against the Nazis to find the lost Ark of the Covenant. Legend has it that any army that carries the Ark before it is invincible; it would be unfortunate if it were Hitler's armies that possessed it.
Although technically three separate scenes, they're so close together that they feel like one continuous sequence. I'm talking about the escape from the Well of Souls/airplane fight/truck chase scene. Taken as a whole, this is my favorite action sequence of all time.
The genetically-enhanced dictator from the classic Star Trek episode Space Seed is back and wants revenge on Captain Kirk. Hijacking the starship Reliant, Khan engages the Enterprise in combat, steals the Genesis device (a scientific device which could be misused for destructive purposes), and generally makes Kirk's life difficult. The two starships eventually end up playing blind man's bluff in a nebula.
Spock's rescue of the Enterprise and his subsequent death scene.
Probably the best of the Star Wars movies. Despite having lost the Death Star, the Empire has the Rebellion on the run. However, Darth Vader shows much more interest in capturing Luke Skywalker than defeating the Rebel Alliance. In the meantime, Luke begins Jedi training with Master Yoda on the remote planet Dagobah while Han Solo and Princess Leia try to rejoin the Alliance in the crippled Millennium Falcon. Han and Leia end up at Bespin where they become an unwilling part of Darth Vader's trap for Luke. Luke attempts to rescue them and ends up in a lightsaber duel with Vader. Far from wanting to kill him, it turns out that Vader wants Luke to join him in ruling the galaxy. After all, Darth Vader is Luke Skywalker's father!
The duel between Vader and Luke is the highlight of the Star Wars saga. The dimly lit carbonite freezing chamber provides the perfect mood for the scene; often the two characters are seen only as silhouettes with glowing lightsabers. Vader goads Luke continuously, trying to convince him that only by using the Dark Side can Luke defeat Vader. The duel ends with one of the most memorable moments in movie history; i.e., the iconic "I am your father!" scene.
The Emperor arrives at the new Death Star to oversee its construction. In response, the Rebellion sends a strike team to the nearby moon of Endor to destroy the shield generator protecting the Death Star during its construction. In the meantime, a fleet of Alliance fighters and warships prepare to assault the battle station. Luke Skywalker, now a Jedi knight, surrenders to Imperial forces and is taken before the Emperor and Vader. As the Sith Lords attempt to turn Luke to the Dark Side, the strike force on Endor fights desperately to destroy the shield generator while the Rebellion fleet combats Imperial star destroyers and the Death Star itself.
Luke Skywalker gives into his anger when Vader goads him a bit too much. Luke regains his self control before it's too late and Vader gets the chance to redeem himself by saving his son from the Emperor's wrath.